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available on iTunes soon...or download it from Napster or many many other download sites.
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Red Earth
Track Listing:
| 1. Reflections |
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| 2. Em Shab (Tonight) |
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| 3. Far From You |
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| 4. Angels |
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| 5. A Sufi's Dream |
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| 6. Poetry |
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| 7. Mara Be Boos (Embrace Me) |
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| 8. Atash (Fire) |
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| 9. Red Earth |
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Warning: date() [function.date]: It is not safe to rely on the system's timezone settings. You are *required* to use the date.timezone setting or the date_default_timezone_set() function. In case you used any of those methods and you are still getting this warning, you most likely misspelled the timezone identifier. We selected 'Europe/London' for 'BST/1.0/DST' instead in /usr/local/home/httpd/vhtdocs/artifactrecords/release.php on line 68
Format :CD Catalogue No:artcd02
Release Date :28 Sep 2006
Roxana Pope: vocals
Pete Vilk: drums, percussion, guitar, piano
Conrad Ivitsky: double bass
Dee Issacs: cello, piano
Sean Williams: bass, programming
Marcelo D'Oliveira: guitar
Ilhan Burutcu: nay
Orhan Maslo: clay pot
Niloofar Paydar: vocals
Amir Ali: vocals
Hooman: vocals, percussion
Nik Sheldon: bass
Nicky Flood: trumpet, trombone
Drezz: guitar
River Petein: alto saxophone
Produced and Mastered by Sean Williams
Assistant production by Pete Vilk
Gol’s debut album, released on Artifact Records has been called
"Simply stunning world class music".
The album the result of long term collaboration between Pete Vilk & Roxana Pope working with cutting edge local artists from locations as diverse as Edinburgh, Mostar and Tehran.
In these dark times when it’s rare to hear anything positive coming out of Iran, we’ve produced an album which is a fusion between East and West, in English and Farsi, drawing on themes as diverse as 50’s Iranian cabaret, Afro-cuban and west African percussion traditions, Sufi music and the contemporary underground Tehran music scene.
Currently In Iran women are forbidden to sing solo on stage or on recordings. One of the joys of the project has been giving the opportunity to iranian female vocalists to sing solo. Particularly rewarding was recording in Mostar with young musicians who had been forced to fight and take sides in the Balkan war as child soldiers but who had been able to use music as a way of overcoming these traumatic experiences.
Read the reviews
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